91导航

It鈥檚 a hard truth embraced by aerialist Madeline Farinas de Leon: you can鈥檛 inflate a r茅sum茅 to climb the Corde Lisse. Name-dropping won鈥檛 steady you on the Lyra. And no amount of jargon will keep you from slipping off the Roman Rings.

鈥淚 feel like with circus, you either did the thing or you didn鈥檛. It鈥檚 very strict in that way,鈥 Farinas de Leon says. 鈥淚f I can鈥檛 do 10 pull-ups, there鈥檚 no talking my way out of it. There鈥檚 no writing a clever cover letter for it. I just didn鈥檛 do the 10 pull-ups.鈥

鈥淎nd I actually enjoy that,鈥 she says.

The circus corner of her world provides a break from an intensely professional persona, one filled with artistic reflections, political discourse, and career goals. Every moment is carefully organized in a planner: an agenda dominated by shades of gray, with few clear black-and-white moments.

But she relishes the busyness. She recently graduated from the 91导航 with a double major in Fiber and Creative Writing, plus a minor in Sound. For the 2025 Commencement, she was selected as the sole student speaker. During the school year, she juggled up to four jobs at once (鈥淣ever less than two,鈥 she says.) It all followed her recent participation with the International Youth Think Tank (IYTT), which focuses on promoting and preserving democracy on a global scale.

鈥淔or that, I was the only one who had formally studied art,鈥 she says. 鈥淎 lot of people were like, 鈥極h, I paint鈥 or 鈥業 do this,鈥 which I thought was awesome. But I was definitely the only one with a degree outside the realms of politics, policy, or environmental science.鈥

鈥淎nd it didn鈥檛 feel isolating. It actually felt really validating.鈥

Weaving Democracy

The happened in mid-April in Washington, D.C., with IYTT giving participants (including Farinas de Leon) one overarching assignment: to develop their strongest arguments for why an open, democratic society offers the most desirable conditions for fostering humane global development.

They were also asked to come up with real ideas on how to keep democracies strong when times get tough. The groups met on their own, with moderators helping out, and spent time getting to know each other.

鈥淲e were going around the circle saying our degrees, and I was like, 鈥楩iber art,鈥欌 she says.

鈥淧eople were like, 鈥榃hat is that?鈥 And it kind of felt like, 鈥榃ho are you?鈥 but in a good way. The thing is, I鈥檓 kind of a political bro, and I was genuinely excited to talk with people from other backgrounds. I thought I might feel jealous, but instead, I realized I had something different to contribute because of my arts education.鈥

A key part of her political engagement also comes from a long history of volunteering. Growing up in Illinois, she did it often, and after graduating, Farinas de Leon has renewed that commitment. She鈥檚 currently training to become a hospital advocate and plans to volunteer during local elections.

She credits the 91导航 Fiber department with helping her hold onto these values. Her classmates showed a genuine interest in her experience, and both classmates and faculty encouraged her to share what she learned.

鈥淭hey were like, 鈥楧ebrief us. Let鈥檚 talk.鈥 And so we did,鈥 she says.

鈥淗onestly, a lot of the conversations we had at the think tank are things we already talk about every day in art school. I was like, 鈥極h my God. We do talk about this stuff all the time. It鈥檚 more informal, sure, but it鈥檚 real.鈥

Image: Artwork by Madeline Farinas de Leon (鈥25 Fiber, Creative Writing, & Sound)

Hanging Art

There鈥檚 no winging it when it comes to weaving.

Farinas de Leon says some level of planning is unavoidable. Still, she often questions what makes a piece feel complete. Sometimes, she鈥檚 more excited to cannibalize a project than leave it hanging on a gallery wall. Other times, she looks at a piece and thinks about its timeline in years rather than weeks.

鈥淓ven with this beading project I started a couple days ago, I鈥檓 already thinking, 鈥楬mm, what if I just kept beading until it couldn鈥檛 hold any more beads?鈥欌 she says. 鈥淭hen I ask myself, 鈥楬ow long would that take?鈥欌

鈥淚 feel like I'm definitely someone who wants to find a way to synthesize everything I know into one thing. I like it all.鈥

But she describes herself simply as a weaver when it comes to fiber. She considers herself lucky to have discovered and had access to the floor loom program and curriculum at 91导航. As graduation approached, Professor of Fiber and department chair Pauline Verbeek found her a parting gift of sorts: a loom sourced through the . It鈥檚 too large for her student apartment, but perfect for where she鈥檚 headed next. 鈥淚鈥檓 just gonna weave and weave and weave,鈥 she says.

But ask her to describe herself in a different context and she might give you a different answer.

鈥淚 definitely see myself as a performance artist, even when things aren't a performance,鈥 she says.

鈥淓ven when I鈥檓 weaving or beading, there鈥檚 a performative aspect because of the effort involved and the way my body moves during the process. I think about performance a lot, which, obviously, comes from being a circus performer.鈥

Farinas de Leon鈥檚 third personal label is aerialist, an acrobatic performer who works suspended high above the ground using hoops, ropes, and similar equipment. She鈥檚 also developing hand balancing skills, which involve holding poses while supporting her body weight on her arms. And if that weren鈥檛 enough, she also stilt walks and performs with fans (meaning items you wave, not admirers).

But simply put, she is an aerialist.

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鈥淚 usually describe it as I鈥檒l do anything rigged from the ceiling. But that鈥檚 not entirely true because I鈥檓 not good at silks and wouldn鈥檛 be hired for it. I do a discipline called Roman rings, which are basically gymnastics rings made of metal. I also do the hoop called Lyra.鈥

Involved with both the and , she regularly takes on performance and coaching gigs around Kansas City. What draws her to aerial work is the act of performing itself and the opportunity to tap into a version of herself she doesn鈥檛 always access. It鈥檚 not necessarily about playing a character (鈥淪ometimes you鈥檙e just on the hoop,鈥 she says), but it offers a break from the everyday self she brings to her art and daily life.

鈥淚 like that you either do it right or you do it wrong. Obviously, I love art and I do it, but it鈥檚 very gray. So it鈥檚 fun to exist in both worlds, because in the air, mistakes are a lot more obvious,鈥 she says.